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​Fanyong Shen

​COMM-105-004

​Design

 1)    How lines of comics can provide expressive potentia?

2)    What make the icons become symbol?

3)    Why backgrounds can be anothoer way to indicate invisible ideas?

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This photo of  the church provides me a emotion of serenity, the line and contour of the structure makes mystery and sanctity visible. The vertical and curved construction enhences the visiual igame.

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Lines

 The pose of the model with her head turned to face down at the rose establishes an implied line that leads from this point on her face across/through/at a diagonal to the distinguished head worn jewel and, top-left. Bylines that point directly at the diamond, making sure its position is in line with marketing objectives nd in addition to the drawing part, the text below the draw and to the side of this ad is also in a straight line direction, so that the neat pairing just corresponds to the lines of the picture.                          

 

 Shape and Volume

 A visually complex and beautiful silhouette results from the roses and diamonds. The dimension of the rose is represented in how from dark petals to a light center bringing forth this idea that love has many layers and depth but most importantly it makes someone beautiful.The graphics of this overall picture are dominated by large volumes, and this is made even more striking by the tiny protruding, the rose and the diamond in the center of it.


Colors

 The overall saturation of the image is low. The dark rose petals, along with the light diamonds coming face to face make them so bright and valuable in this commercial. The blue color gradient with a black colored sun background looks very dark and romantic.The overall color palette of this image is approximate and appears to be very soft. The cooler tones of the background and the warmer tones of the woman's part of the picture serve as a counterpoint to accentuate the marketing part of the woman holding the rose and the diamond. The colors in this image show very well the difference between a foil and an accent.

 

Composition - Unity

 The composition of the model, roses and diamonds dominate the visual landscape in this advertisement. The background and mountains are blue, and the colors and graphic volume between the two do a great job of making the whole image look unified and not fragmented, which gives the piece an overall visual edge.
 

Composition - Variety

 The use of color, shape and line in the ad creates visual variety. The huge flower and the green leaves above it, the light colored jewels against the dark petals, the woman's flesh colored palms and the pink manicure. The contrast between the light blue background and the black sun and so on, all these add to the character of the advertisement and make the whole picture more colorful, ornamental and artistic

Stereoscopic

 This is a way of communicating through animation, where the image shows contrasts and relationships between distant peaks through moving backs, making distant peaks appear to separate and nearer peaks appear to rise, thus effectively utilizing visual dynamics such as the relationship between the figure and the mounten.

Connotation / Allegorical Reasoning

 This ad combines roses and diamonds to symbolize “eternal love”. The theme of “Diamonds are forever, one will last forever” is based on the fact that diamonds represent longevity and value. The model closes her eyes and gazes down, pleasantly summarizing this emotion as a straightforward emotional appeal. Moreover, in the social culture of the time, the woman's hair and makeup dresses all reflected the exquisite life of the time, which brought more of a beautiful longing and yearning.

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  Every facet of the photography is considered in context with its place in a larger history, as well as the socio-political conditions that structure our experience of it. Framing a tool that, when applied to data, can draw attention to the resilience of individuals and thus reinforce a story of survival and endurance in odds. Narrow depth of field focuses the viewer on individual stories, ideally creating more empathy and stronger narrative connections in the viewer who maybe/maybe will try to remember this image again while they think about how political decisions cost human lives, personal experiences. Taken in Afghanistan, a nation that has seen years of conflict including the US-led invasion in 2001 and subsequent return of the Taliban. What is important to consider about this background is that it informs the daily lives of those shown. The state of education, women's rights and economy are all affected, showing instability of the social climate in Afghanistan. It provides a clue as to how the subjects are feeling and why interprets their facial expressions, postures (etc) in the photograph.

 

  Through motion capture, one can even convey the instability that defines daily life in Afghanistan, where nothing seems steady and everything little thing feels like its done on a deadline. Yet in another way, the humor of this technique reminds us that life goes on in the midst of catastrophe—the spirit of humans that thrives and survives.

 

  An effect to set the mood is important, and lighting can play a big part of it. It may do so through using natural lighting to evoke contrast, thus taking the soul from despair to hope; fRom confusion to clarity. This duality evokes contemplation of the complexities of Afghanistan, shattering any veneer to a naively one-dimensional story.

 

  Lastly, the rule of thirds composition can endow us with order amidst chaos while discreetly hinting that balance and harmony is indeed achievable even in turmoil. Maybe in its lightness, the audience can ask themselves what a peaceful, stable future looks like for Afghanistan. The seemingly never-ending conflict and political instability have caused mass displacement and a lack of security, affecting both the demeanor or context of subjects.

A narrative quality is definitely present in the pictures, with their different expressions, and overall use of tone is heavy and broody, oil paintingesque from some religious story, underlining the feeling.

 

  To sum up, this photograph by Ebrahim Noroozi is not merely a visual document but a poignant storytelling device which fuses compositional techniques with historical roots. It invites the viewer to relate to the narrative by taking into account an emotional and intellectual level of approach, striking a fine balance between understanding Afghanistan´s complaints and becoming aware of how much it has invested in its population.

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           Analysis of a clip from the movie Malèna​

     The scene analyzed is that of Marlena walking through the town square, an early but pivotal moment that establishes Marlena's role in the social dynamics of the town and sets the stage for her subsequent isolation and victimization. As she traverses the square, the camera moves fluidly, tracking her every step, which serves not only to showcase her physical journey but also to emphasize her emotional state. The bright, naturalistic lighting creates a warm and inviting atmosphere, seemingly celebrating the vibrancy of the town, yet this cheerful exterior belies the underlying tension and unease that permeates the scene. Together, these cinematic elements illustrate Marlena as both an object of desire and ridicule, effectively setting the tone for her struggles throughout the film. The warm colors of the environment stand in stark contrast to the cold, scrutinizing gazes of the townspeople. This juxtaposition serves to enhance Marlena's profound sense of being out of place in a community that simultaneously desires her and ostracizes her. In this dynamic, Marlena is placed strategically in the center of the frame, surrounded by an encircling throng of people. This composition not only underscores her isolation but also the societal pressures that confine her; despite being literally in the midst of a crowd, she is emotionally and psychologically alone. The fluidity of the camera movement mimics the feeling of being watched, suggesting that the perspective of the viewer aligns with that of the townspeople. This technique heightens the sense of voyeurism, making the audience complicit in the judgment that Marlena faces. The townsfolk’s lines at this point in the movie are aggressive, serving as harsh commentary on her presence and reinforcing her alienation. Marlena's expressions reflect her inner turmoil; her vulnerability is palpable, as the audience witnesses the struggle between her desire for acceptance and the relentless isolation imposed upon her. The use of wide-angle shots further captures the bustling activity of the town square, juxtaposed with the stillness of Marlena, who becomes a focal point in this whirlwind of life. Though surrounded by life and activity, her isolation is highlighted as people stop to watch her, their stares laden with judgment. This visual narrative embodies her loneliness, as the lively atmosphere around her does little to alleviate her solitude. The meticulous use of lighting in this scene is particularly significant. The warm sunlight creates an idyllic setting, yet it casts long shadows that evoke a sense of foreboding. These shadows symbolize the darker aspects of human nature—envy, disdain, and the innate desire to exclude those who do not conform. Thus, Marlena becomes a living embodiment of the contradictions within the town: she is simultaneously adored and rejected, celebrated for her beauty while condemned for her perceived differences. Through the intricate interplay of composition, camera movement, and the deliberate choice of light and color, this scene effectively conveys not only Marlena's loneliness but also her complex role within the intricate web of social relationships. As she navigates the town square, her journey serves as a poignant reflection of the challenges faced by those who find themselves at odds with societal expectations, ultimately setting the stage for her broader narrative of struggle and resilience.

  link:Movie Clip

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Photos

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Light and Shadow Contrast:

    Utilize a limited light source (such as a candle or soft spotlight) to create light and shadow contrast. This will prioritize the details and textures of the Buddha statue, making it look more three-dimensional and solemn when we post-produce it. Low-exposure landscapes were also used to try to add a sense of mystery to these photos.

 

    Use a shallow focal length and depth of field to remove details from the background and focus only on the Buddha statue. This will make the statue the main focus and reinforce its religious style.

Composition and Framing: By placing the statue at the golden mean in the frame, we can create balance and harmony in the image we see. Utilizing the environment to frame the Buddha within certain boundaries, placing the structure or the natural environment in such a way as to add layers and levels to the space.

 

    Symmetry of subject matter or repetition of elements: By turning one statue into many, symmetrical compositions help to enhance the sense of balance and reverence in the image. The geometric composition of the surrounding architecture can be used as an aesthetic in itself.

Highlighting details: For example, details of the face and hands of a Buddha statue. Close-ups can also be used to show these emotional nuances and tell a better story. The switching of shots brings out the layers of the story in different ways.

About me

I don't really want to be known, but it's still welcome.
I'm from China and I specialize in journalism. Love reading and musicals and all animals. I want to deliver messages through the media and use it to spread my ideas.

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